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	<title>Comments on: Rotary cutters, a guaranteed argument</title>
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	<description>How to start a clothing line or run the one you have, better.</description>
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		<title>By: Kathleen Fasanella</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-24854</link>
		<dc:creator>Kathleen Fasanella</dc:creator>
		<pubDate>Tue, 27 Jul 2010 16:03:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-24854</guid>
		<description>&lt;blockquote&gt;How do you store oaktag pattern pieces? I assume they don’t fold well, so you probably have specialized storage for them. &lt;/blockquote&gt;
You&#039;re right, we have super duper highly specialized storage units called &quot;clothing rods&quot;. 

Okay so I&#039;m being silly, shoot me. Seriously, we punch holes in our patterns and hang them with pattern hooks. You can find pictures of both &lt;a href=&quot;http://www.fashion-incubator.com/archive/bunny_punch/&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt;. Since your patterns are small, you could rig up something simple (like a string maybe) and hang them on an oversized nail if you don&#039;t have a rod in your workspace. 

Since your pattern pieces are small and if you don&#039;t use much, you probably don&#039;t need to buy a roll of oaktag unless you knew someone who wanted to split it with you. You can use manila folders instead, it is the same paper only not quite as heavy. For patterns that will get a lot of use, spray glue two layers of folder together. Also, you probably shouldn&#039;t trace and cut from what you have now. Re-draw all straight lines with a ruler to keep the pattern lines true. 

If you haven&#039;t already seen it, this other post on &lt;a href=&quot;http://www.fashion-incubator.com/archive/tools_and_supplies/&quot; rel=&quot;nofollow&quot;&gt;tools and supplies&lt;/a&gt; will be helpful.

This is for anyone else who has a lot of patterns: clothing rods are too weak to hold many patterns. Some people use mobile clothing racks but if you get the kind sold to consumers, these are kind of crappy and comparatively expensive. I use &lt;a href=&quot;http://www.zracks.com/Z-RACKS.html&quot; rel=&quot;nofollow&quot;&gt;Z-racks&lt;/a&gt;. The photo on that page shows a fancy one but &lt;a href=&quot;http://www.amazon.com/Quality-Store-Fixture-Heavy-Z-Rack/dp/B0026Q2BUI&quot; rel=&quot;nofollow&quot;&gt;the ones on Amazon&lt;/a&gt; are probably fine for most people and they cost the same or less than the consumer type units.</description>
		<content:encoded><![CDATA[<blockquote><p>How do you store oaktag pattern pieces? I assume they don’t fold well, so you probably have specialized storage for them. </p></blockquote>
<p>You&#8217;re right, we have super duper highly specialized storage units called &#8220;clothing rods&#8221;. </p>
<p>Okay so I&#8217;m being silly, shoot me. Seriously, we punch holes in our patterns and hang them with pattern hooks. You can find pictures of both <a href="http://www.fashion-incubator.com/archive/bunny_punch/" rel="nofollow">here</a>. Since your patterns are small, you could rig up something simple (like a string maybe) and hang them on an oversized nail if you don&#8217;t have a rod in your workspace. </p>
<p>Since your pattern pieces are small and if you don&#8217;t use much, you probably don&#8217;t need to buy a roll of oaktag unless you knew someone who wanted to split it with you. You can use manila folders instead, it is the same paper only not quite as heavy. For patterns that will get a lot of use, spray glue two layers of folder together. Also, you probably shouldn&#8217;t trace and cut from what you have now. Re-draw all straight lines with a ruler to keep the pattern lines true. </p>
<p>If you haven&#8217;t already seen it, this other post on <a href="http://www.fashion-incubator.com/archive/tools_and_supplies/" rel="nofollow">tools and supplies</a> will be helpful.</p>
<p>This is for anyone else who has a lot of patterns: clothing rods are too weak to hold many patterns. Some people use mobile clothing racks but if you get the kind sold to consumers, these are kind of crappy and comparatively expensive. I use <a href="http://www.zracks.com/Z-RACKS.html" rel="nofollow">Z-racks</a>. The photo on that page shows a fancy one but <a href="http://www.amazon.com/Quality-Store-Fixture-Heavy-Z-Rack/dp/B0026Q2BUI" rel="nofollow">the ones on Amazon</a> are probably fine for most people and they cost the same or less than the consumer type units.</p>
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		<title>By: Linda Tanner</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-24835</link>
		<dc:creator>Linda Tanner</dc:creator>
		<pubDate>Tue, 27 Jul 2010 03:02:51 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-24835</guid>
		<description>I&#039;ve enjoyed this discussion as I just found this site.  I only use rotary blades for cutting with a straight edge.  I run my own business making customized luggage for motorcycles.  About half of my business is one-offs that I&#039;ll never repeat and the other half is &#039;I want exactly what Jimmy-Bob has except for...&#039;  I make paper patterns of all my stuff.  I was cutting around the pinned on patterns but it was too slow and I was nipping bits off.  Now, I trace around my pattern pieces, but to insure that I don&#039;t screw up (yeah, right), I trace the seam line onto the fabric.  That way it doesn&#039;t matter if I&#039;ve trimmed a bit off my patterns, as long as the seam line is intact.  The paper patterns don&#039;t like been traced too many times before they become perforated by the tracing wheel.  Then I start adding layers of masking tape to re-inforce them.  I draw the seam lines on all my fabric pieces.  It helps keep everything from getting lop sided.  I tried using the magnetic stops on my sewing machines to maintain an even seam, but it doesn&#039;t work all that well with curves.

Most of my pattern pieces are fairly small, so I keep each set in a 9x12 plastic bag in a file.  How do you store oaktag pattern pieces?  I assume they don&#039;t fold well, so you probably have specialized storage for them.  All my patterns are in an open rolling filling thingy.  If the house catches fire, it&#039;s going with me.  There is so much information here that I could use, I&#039;m thankful that I found you.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve enjoyed this discussion as I just found this site.  I only use rotary blades for cutting with a straight edge.  I run my own business making customized luggage for motorcycles.  About half of my business is one-offs that I&#8217;ll never repeat and the other half is &#8216;I want exactly what Jimmy-Bob has except for&#8230;&#8217;  I make paper patterns of all my stuff.  I was cutting around the pinned on patterns but it was too slow and I was nipping bits off.  Now, I trace around my pattern pieces, but to insure that I don&#8217;t screw up (yeah, right), I trace the seam line onto the fabric.  That way it doesn&#8217;t matter if I&#8217;ve trimmed a bit off my patterns, as long as the seam line is intact.  The paper patterns don&#8217;t like been traced too many times before they become perforated by the tracing wheel.  Then I start adding layers of masking tape to re-inforce them.  I draw the seam lines on all my fabric pieces.  It helps keep everything from getting lop sided.  I tried using the magnetic stops on my sewing machines to maintain an even seam, but it doesn&#8217;t work all that well with curves.</p>
<p>Most of my pattern pieces are fairly small, so I keep each set in a 9&#215;12 plastic bag in a file.  How do you store oaktag pattern pieces?  I assume they don&#8217;t fold well, so you probably have specialized storage for them.  All my patterns are in an open rolling filling thingy.  If the house catches fire, it&#8217;s going with me.  There is so much information here that I could use, I&#8217;m thankful that I found you.</p>
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		<title>By: Kathleen</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-22660</link>
		<dc:creator>Kathleen</dc:creator>
		<pubDate>Thu, 08 Apr 2010 15:32:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-22660</guid>
		<description>Hi Lucia, actually, you&#039;ve been posting since July 2009 :).

I also specialize in leather products however, I would strongly discourage anyone (beyond a one man shop) from using plastic instead of oaktag. The reasons are &lt;a href=&quot;http://fashion-incubator.com/phpbb/viewtopic.php?p=34063#34063&quot; rel=&quot;nofollow&quot;&gt;posted here&lt;/a&gt; in the forum. It is too lengthy to repost beyond this (edited):
&lt;blockquote&gt;Biggest problem is writing bleed through from the other side (most plastic is clear or opaque). You want people to be able to lay these out quickly without having to read the pieces. In the case of one-per lay ups, you know you have the oaktag piece wrong side up because there&#039;s a big X on that side (or should be). If there&#039;s bleed through (plastic), it takes time to sort front from back writing. That&#039;s assuming the fabric isn&#039;t so dark you can even read the writing on them. If the plastic is clear, it&#039;s hard to see notches to mark them. When these are hung, you likewise can&#039;t read what each piece is unless you lay them separately. On oak tag (no bleed through) it&#039;s easy. Plastic also breaks and one cannot know the piece is broken because it&#039;s a clean break. If the pattern is paper, you can see the tell tale signs of a tear or bumped corner and go back to the original to repair the piece.&lt;/blockquote&gt;
The operations I&#039;ve seen that use plastic, usually have a great many other problems, this being but one of the symptoms. 

There are very rare exceptions to needing plastic to resolve the problem, I&#039;ve run into it exactly once and it wasn&#039;t on leather but custom loosely woven blankets used to make coats; the weave wasn&#039;t tight. 

When people use plastic to solve a problem, it usually means their process is not whole, it&#039;s a work around instead of solving the root problem. In the end, manufacturers are cheap skates. If it were more cost effective to use plastic, they&#039;d be doing it. Using plastic in small operations is very common but if they survive (having other problems, this being but one symptom), they go on to using oaktag. Lucia, I intend no discourtesy but I hope no one (who plans to grow their operation) follows this advice.

Answering Cindy&#039;s question from before that I didn&#039;t notice until now, items 1-3 are on target.
&lt;blockquote&gt;4. Using scissors, cut on the tracing line.&lt;/blockquote&gt; 
#4, do not cut &lt;b&gt;on&lt;/b&gt; the tracing line. It should &lt;a href=&quot;http://www.fashion-incubator.com/archive/marking_cutting/&quot; rel=&quot;nofollow&quot;&gt;be &lt;b&gt;cut away&lt;/b&gt;&lt;/a&gt;. 
&lt;blockquote&gt;Question:
1.  I’m assuming this means you wouldn’t cut out two pieces at once….(one on top of the other…)
2. Cutting ‘on the fold’ has always given me fits, I try to iron my folds down hard, but still I can never get the pattern pinned exactly on the fold consistently. I’m thinking it’s better to make a full pattern and ditch the fold?&lt;/blockquote&gt;
Yes, we cut each piece separately. We don&#039;t cut &quot;on the fold&quot;. Even making a mirrored pattern piece using folded paper is not as precise (as we&#039;re taught in school) so a loose medium like fabric can only be even less precise. The problem for enthusiasts being table width... you do the best you can.
&lt;blockquote&gt;3.  What does DE mean?&lt;/blockquote&gt;
Designer-Entrepreneur</description>
		<content:encoded><![CDATA[<p>Hi Lucia, actually, you&#8217;ve been posting since July 2009 <img src='http://www.fashion-incubator.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> .</p>
<p>I also specialize in leather products however, I would strongly discourage anyone (beyond a one man shop) from using plastic instead of oaktag. The reasons are <a href="http://fashion-incubator.com/phpbb/viewtopic.php?p=34063#34063" rel="nofollow">posted here</a> in the forum. It is too lengthy to repost beyond this (edited):</p>
<blockquote><p>Biggest problem is writing bleed through from the other side (most plastic is clear or opaque). You want people to be able to lay these out quickly without having to read the pieces. In the case of one-per lay ups, you know you have the oaktag piece wrong side up because there&#8217;s a big X on that side (or should be). If there&#8217;s bleed through (plastic), it takes time to sort front from back writing. That&#8217;s assuming the fabric isn&#8217;t so dark you can even read the writing on them. If the plastic is clear, it&#8217;s hard to see notches to mark them. When these are hung, you likewise can&#8217;t read what each piece is unless you lay them separately. On oak tag (no bleed through) it&#8217;s easy. Plastic also breaks and one cannot know the piece is broken because it&#8217;s a clean break. If the pattern is paper, you can see the tell tale signs of a tear or bumped corner and go back to the original to repair the piece.</p></blockquote>
<p>The operations I&#8217;ve seen that use plastic, usually have a great many other problems, this being but one of the symptoms. </p>
<p>There are very rare exceptions to needing plastic to resolve the problem, I&#8217;ve run into it exactly once and it wasn&#8217;t on leather but custom loosely woven blankets used to make coats; the weave wasn&#8217;t tight. </p>
<p>When people use plastic to solve a problem, it usually means their process is not whole, it&#8217;s a work around instead of solving the root problem. In the end, manufacturers are cheap skates. If it were more cost effective to use plastic, they&#8217;d be doing it. Using plastic in small operations is very common but if they survive (having other problems, this being but one symptom), they go on to using oaktag. Lucia, I intend no discourtesy but I hope no one (who plans to grow their operation) follows this advice.</p>
<p>Answering Cindy&#8217;s question from before that I didn&#8217;t notice until now, items 1-3 are on target.</p>
<blockquote><p>4. Using scissors, cut on the tracing line.</p></blockquote>
<p>#4, do not cut <b>on</b> the tracing line. It should <a href="http://www.fashion-incubator.com/archive/marking_cutting/" rel="nofollow">be <b>cut away</b></a>. </p>
<blockquote><p>Question:<br />
1.  I’m assuming this means you wouldn’t cut out two pieces at once….(one on top of the other…)<br />
2. Cutting ‘on the fold’ has always given me fits, I try to iron my folds down hard, but still I can never get the pattern pinned exactly on the fold consistently. I’m thinking it’s better to make a full pattern and ditch the fold?</p></blockquote>
<p>Yes, we cut each piece separately. We don&#8217;t cut &#8220;on the fold&#8221;. Even making a mirrored pattern piece using folded paper is not as precise (as we&#8217;re taught in school) so a loose medium like fabric can only be even less precise. The problem for enthusiasts being table width&#8230; you do the best you can.</p>
<blockquote><p>3.  What does DE mean?</p></blockquote>
<p>Designer-Entrepreneur</p>
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		<title>By: chicadecanela</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-22659</link>
		<dc:creator>chicadecanela</dc:creator>
		<pubDate>Thu, 08 Apr 2010 14:10:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-22659</guid>
		<description>We work with leather mainly in my workshop and our rotary cutter is used to cut strips of leather for handles, etc. with a ruler. In some designs we use the rotary cuter with fancy edged blades attached, to create interesting edges, always with a ruler though, never free-style. 

The rest we cut with scissors:we trace the pattern on the leather first, with a special leather pen, then cut. Patterns that are used all the time are newly cut in plastic which is more durable.

The whole process takes a lot of time since it´s very hand crafted but the results are quite nice.

I hope i have it right!

(First time commenting but long time reader)

Lucia
Spain</description>
		<content:encoded><![CDATA[<p>We work with leather mainly in my workshop and our rotary cutter is used to cut strips of leather for handles, etc. with a ruler. In some designs we use the rotary cuter with fancy edged blades attached, to create interesting edges, always with a ruler though, never free-style. </p>
<p>The rest we cut with scissors:we trace the pattern on the leather first, with a special leather pen, then cut. Patterns that are used all the time are newly cut in plastic which is more durable.</p>
<p>The whole process takes a lot of time since it´s very hand crafted but the results are quite nice.</p>
<p>I hope i have it right!</p>
<p>(First time commenting but long time reader)</p>
<p>Lucia<br />
Spain</p>
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		<title>By: Harper Della-Piana</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-22658</link>
		<dc:creator>Harper Della-Piana</dc:creator>
		<pubDate>Thu, 08 Apr 2010 13:48:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-22658</guid>
		<description>I only use my Rotary Cutter for Tulle and Crinoline, since the cut is perfect and hard to do with scissors.</description>
		<content:encoded><![CDATA[<p>I only use my Rotary Cutter for Tulle and Crinoline, since the cut is perfect and hard to do with scissors.</p>
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		<title>By: Debby Spence</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-22608</link>
		<dc:creator>Debby Spence</dc:creator>
		<pubDate>Mon, 05 Apr 2010 20:59:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-22608</guid>
		<description>Gee, I am really appreciating this discussion.  I have been doing everything wrong evidently.  But, I must qualify.  I am a custom dressmaker, so a lot of the garments I make are one-offs, although I do make multiples of a number of things.  I have used architects tracing paper for patterns, but it is rather pricey, so lately have been using medical exam paper.  I draw on it with erasable colored pencils or papermate-type &#039;flair&#039; pens or a mechanical pencil.  I draw on all my seam lines so that it doesn&#039;t really matter what has happened to the edge of the pattern, either from cutting off slivers, or altering it and drawing in new sewing lines.  I mostly use a rotary cutter with a cutting guide set to the seam allowance I want.  Unfortunately, these guides are not easy to find.  Olfa doesn&#039;t even have them listed on their website.  The cutting guide is great for me because I can cut with larger seam allowances the first time for a mock-up and then change it for later garments.  And I mark a lot of my seam lines and markings on the wrong side of the fabric with marking paper for accuracy in certain areas, like crotch and leg seams that get stretched.  And very occasionally, I thread-trace the seam line on the fabric, couture-style.

I see the value in tracing the pattern on the fabric, but I&#039;ve also wondered about the accuracy of tracing.  I guess that it is better if using oaktag than paper.  I only do slopers in oaktag.</description>
		<content:encoded><![CDATA[<p>Gee, I am really appreciating this discussion.  I have been doing everything wrong evidently.  But, I must qualify.  I am a custom dressmaker, so a lot of the garments I make are one-offs, although I do make multiples of a number of things.  I have used architects tracing paper for patterns, but it is rather pricey, so lately have been using medical exam paper.  I draw on it with erasable colored pencils or papermate-type &#8216;flair&#8217; pens or a mechanical pencil.  I draw on all my seam lines so that it doesn&#8217;t really matter what has happened to the edge of the pattern, either from cutting off slivers, or altering it and drawing in new sewing lines.  I mostly use a rotary cutter with a cutting guide set to the seam allowance I want.  Unfortunately, these guides are not easy to find.  Olfa doesn&#8217;t even have them listed on their website.  The cutting guide is great for me because I can cut with larger seam allowances the first time for a mock-up and then change it for later garments.  And I mark a lot of my seam lines and markings on the wrong side of the fabric with marking paper for accuracy in certain areas, like crotch and leg seams that get stretched.  And very occasionally, I thread-trace the seam line on the fabric, couture-style.</p>
<p>I see the value in tracing the pattern on the fabric, but I&#8217;ve also wondered about the accuracy of tracing.  I guess that it is better if using oaktag than paper.  I only do slopers in oaktag.</p>
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		<title>By: Tracing and Marking</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-20708</link>
		<dc:creator>Tracing and Marking</dc:creator>
		<pubDate>Tue, 08 Dec 2009 14:19:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-20708</guid>
		<description>[...] Friday’s entry on cutting brought to mind an annoyance I experienced over ten years ago when I hired a small sewing contractor who didn’t have much experience. This is somewhat related to a previous brief tutorial I wrote on marking and cutting. Specifically, this entry is about the proper method of tracing patterns onto fabric, or even paper. [...]</description>
		<content:encoded><![CDATA[<p>[...] Friday’s entry on cutting brought to mind an annoyance I experienced over ten years ago when I hired a small sewing contractor who didn’t have much experience. This is somewhat related to a previous brief tutorial I wrote on marking and cutting. Specifically, this entry is about the proper method of tracing patterns onto fabric, or even paper. [...]</p>
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		<title>By: alt</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-10762</link>
		<dc:creator>alt</dc:creator>
		<pubDate>Mon, 28 Jul 2008 21:49:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-10762</guid>
		<description>Thanks for reminding me persistently why I stay a happy sloppy enthusiast and dilettante.
No rotary cutter for me, I even trace every pattern on brown sturdy paper first (lighting tables from Ikea are great), but as I sew for me only, getting finished is more important than precision. I think I will happily let it stay that way. And take the occasional hint, if it makes the main goal more obtainable.
</description>
		<content:encoded><![CDATA[<p>Thanks for reminding me persistently why I stay a happy sloppy enthusiast and dilettante.<br />
No rotary cutter for me, I even trace every pattern on brown sturdy paper first (lighting tables from Ikea are great), but as I sew for me only, getting finished is more important than precision. I think I will happily let it stay that way. And take the occasional hint, if it makes the main goal more obtainable.</p>
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		<title>By: Cindy</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-10761</link>
		<dc:creator>Cindy</dc:creator>
		<pubDate>Thu, 24 Jul 2008 15:06:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-10761</guid>
		<description>Wow!  This is great info.  I love this stuff.  Being a math type person, I love the precision.

I&#039;m totally a craft sewer, mostly handbags and have only been sewing for about a year.  I&#039;ve struggled with cutting out pattern pieces, I never get them even and consistent.  Let me see if I&#039;ve got the process correct:
1.  Cut the shape of your pattern.  Cut just inside the dark edge (basically shouldn&#039;t be any dark outside lines remaining.
2.  Place this pattern on your fabric.  Don&#039;t pin it down, but weight it down with some kind of weights.
3.  Using a chalk pencil, or wax pencil, or medium of choice...trace the shape directly onto your fabric.  When tracing, try to run your pencil along the edge of the pattern and the fabric at the same time.
4.  Using scissors, cut on the tracing line.

Question:
1.  I&#039;m assuming this means you wouldn&#039;t cut out two pieces at once....(one on top of the other...)
2. Cutting &#039;on the fold&#039; has always given me
fits, I try to iron my folds down hard, but still I can never get the pattern pinned exactly on the fold consistently.  I&#039;m thinking it&#039;s better to make a full pattern and ditch the fold?
3.  What does DE mean?

Thanks, this is fun!
Cindy
</description>
		<content:encoded><![CDATA[<p>Wow!  This is great info.  I love this stuff.  Being a math type person, I love the precision.</p>
<p>I&#8217;m totally a craft sewer, mostly handbags and have only been sewing for about a year.  I&#8217;ve struggled with cutting out pattern pieces, I never get them even and consistent.  Let me see if I&#8217;ve got the process correct:<br />
1.  Cut the shape of your pattern.  Cut just inside the dark edge (basically shouldn&#8217;t be any dark outside lines remaining.<br />
2.  Place this pattern on your fabric.  Don&#8217;t pin it down, but weight it down with some kind of weights.<br />
3.  Using a chalk pencil, or wax pencil, or medium of choice&#8230;trace the shape directly onto your fabric.  When tracing, try to run your pencil along the edge of the pattern and the fabric at the same time.<br />
4.  Using scissors, cut on the tracing line.</p>
<p>Question:<br />
1.  I&#8217;m assuming this means you wouldn&#8217;t cut out two pieces at once&#8230;.(one on top of the other&#8230;)<br />
2. Cutting &#8216;on the fold&#8217; has always given me<br />
fits, I try to iron my folds down hard, but still I can never get the pattern pinned exactly on the fold consistently.  I&#8217;m thinking it&#8217;s better to make a full pattern and ditch the fold?<br />
3.  What does DE mean?</p>
<p>Thanks, this is fun!<br />
Cindy</p>
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		<title>By: Susan</title>
		<link>http://www.fashion-incubator.com/archive/rotary_cutters_a_guaranteed_argument/comment-page-1/#comment-10760</link>
		<dc:creator>Susan</dc:creator>
		<pubDate>Thu, 24 Jul 2008 00:03:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.fashion-incubator.com/2008/07/rotary_cutters_a_guaranteed_argument/#comment-10760</guid>
		<description>Hi Nancy - I use chalkboard chalk for marking too.  Go to an office supply store and get a decent small hand-twist pencil sharpener.  Friskers makes one I like - get one that seals up the shavings.  You can sharpen the chalk.  Actually get a pencilpoint on the end.  And if you are really cheap, recycle the shavings into one of those rolling chalk markers.


</description>
		<content:encoded><![CDATA[<p>Hi Nancy &#8211; I use chalkboard chalk for marking too.  Go to an office supply store and get a decent small hand-twist pencil sharpener.  Friskers makes one I like &#8211; get one that seals up the shavings.  You can sharpen the chalk.  Actually get a pencilpoint on the end.  And if you are really cheap, recycle the shavings into one of those rolling chalk markers.</p>
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