Vintage technical illustration book

Posted by Kathleen Fasanella on Nov 23, 2009 at 2:13 pm / Design, Product Reviews / Trackback

vintage_sketching_back I was lucky enough to find The Practical Sketcher: a complete and practical method of sketching, for women’s, misses’, junior’s, children’s and infant’s garments online -and it’s a free download! Published in 1915 by Isidor Rosenfeld, I wouldn’t be surprised if it’s the very first book ever published on technical illustration for apparel.

Using a grid format, it shows proportions of style elements based on human dimensions broken down into 8ths by height (the human figure is close enough to 8 lengths as to not quibble too much about it). While the styles are unarguably dated, I can’t help but think this would be very useful for designers who need to convey style details to pattern makers. For example (upper right), here is this illustration of a back shirtwaist. If you don’t like the flat look, the book also explains how to draw from the 3/4 view. An example of that is shown (lower right) with this view of a shirtwaist front.

vintage_sketching_front With the grid, one can tell where the critical garment attributes lie. [This is not to suggest one wouldn’t later hire someone to do professional looking flats for line sheets but this could be a low cost option to get the style through the prototyping phase to help you determine if you’ll actually produce it for future sales.] Another useful thing about using the grid system is that any separates you draw will be proportionate to each other even if the sketches are rendered on separate sheets. For example, waist length tops are always 3 grid sections and bottoms (in this case floor length skirts but could just as well be pants these days) are five grid sections.

No great shakes but I thought this book might be a guide to simple illustrations for garment proportions that you may find useful. There’s also some cool style ideas typical of the era. All told, it’s 108 pages long. Enjoy!

7 Responses to “Vintage technical illustration book”

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Theresa Riess
November 23rd, 2009
2:28 PM

Thank’s for the link! Isn’t the web wonderful!

David S
November 23rd, 2009
2:47 PM

people interested in men’s patterns might look at this:
http://www.costumes.org/HISTORY/100Pages/1893to1898cuttersguide.htm

which is parts of late 19th century guide to cutting British mens wear.

(there’s a whole bunch on the site, poorly organized, too. Worth a look.)

Alison Cummins
November 23rd, 2009
5:01 PM

Wow. Page 9 is at least as distorted as the “fashion illustration” we see today. Does it only look worse because we aren’t used to it?

After “omg, look at that canted spine!” was “omg, look at those theoretical breasts way down low below the natural breasts!’ Except, of course, that today’s woman is constantly in search of the correct equipment to keep her breasts comfortably and securely in their “natural” place.

AJ
November 24th, 2009
3:00 AM

What a fabulous resource. I think that even if not being used to make flats exactly learning this method would increase the drawing skills of those of us who are not naturally artists and have to work at making our clothes look believable. Thank you so much for posting Kathleen :)

celeste
November 24th, 2009
2:57 PM

Execlent, intresting how he covered the various body types even back then, also enjoyed poking around the site and looking at Fashion Drawing and Design (1926), thanks

Danielle
November 26th, 2009
6:01 AM

Thanks for sharing this! The grid technique strikes me as a bit more abstract than it needs to be – on the 3/4 views some of the CFs and CBs feel a bit off to me. Perhaps a convoluted way to avoid drawing a naked figure template?

JustGail
December 12th, 2009
6:48 PM

Thanks for the link! Interesting to see how fashion illustration seems to always show the “ideal” form for the time. My guess is that today’s illustrations will seem just as odd as the ones in this book seem to us now. In 100 years, will there be illustrations, or will we have moved on to holograms that can show the garment as it would look on each individual?

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