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	<title>Fashion Incubator &#187; Production</title>
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	<link>http://www.fashion-incubator.com</link>
	<description>How to start a clothing line or run the one you have, better.</description>
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		<title>Resolutions: Will this be the year you get a CAD system?</title>
		<link>http://www.fashion-incubator.com/archive/resolutions-will-this-be-the-year-you-get-a-cad-system/</link>
		<comments>http://www.fashion-incubator.com/archive/resolutions-will-this-be-the-year-you-get-a-cad-system/#comments</comments>
		<pubDate>Wed, 02 Jan 2013 19:35:22 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12376</guid>
		<description><![CDATA[Ah -a new year and fresh beginnings. Everyone is looking for ways to get more for their time, greater efficiencies and all that. For many, this can mean the jump to buying a computer aided drafting program. But wait -as great as they can be- will technology solve your problems? Maybe or maybe not.

I mostly love technology. Between Mr. Fashion-Incubator and me, we own an embarrassing number of computers to include dedicated Linux, PC &#38; Mac computer desktops and laptops.  We also have an iPad, Kindle Fire and several smart phones. Now with this embarrassment of technological riches, are we any less tethered or more efficient? Probably neither but then again, we're largely happy with how we spend our personal time with neither one complaining about how much time whomever spends on the web. And if one does complain, all one need say to the other is "<a href="http://xkcd.com/386/" target="_blank">someone is wrong on the internet!</a>" for a free pass.

But I digress somewhat. My point is that technology (and a CAD system) can be great but it won't necessarily make you more efficient. <em>Successful technology adoption often hinges on our existing habits and work processes.</em> Meaning that if your processes are messed up, technology won't help you be any less messed up.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/resolutions-will-this-be-the-year-you-get-a-cad-system/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Fusing Map: Unlined Jacket</title>
		<link>http://www.fashion-incubator.com/archive/fusing-map-unlined-jacket/</link>
		<comments>http://www.fashion-incubator.com/archive/fusing-map-unlined-jacket/#comments</comments>
		<pubDate>Sat, 29 Dec 2012 00:12:48 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12354</guid>
		<description><![CDATA[In response to the first post in this series (<a href="http://fashion-incubator.com/archive/fusing-map-sport-coats-and-suits/" target="_blank">Fusing map: Sport coats and suits</a>) Ela writes:
<blockquote>I’m about to dive into my first menswear garment sewing project: making a jacket for my boyfriend. From what I understood, Kathleen, your fusible map is for lined jackets. So my question is… How would a fusible map look on an unlined jacket? I suppose even an unlined jacket (mine will be the casual, informal, destructured kind) must be interfaced in some areas… I’m just really wondering WHERE. Thanks so much in advance.

P.S. The fabric will be wool,, heavier than normal suiting but lighter than the “blanket-y” one.</blockquote>
You don't mention whether the jacket takes a zipper or buttons but it doesn't really matter because the closure area needs reinforcement because it takes a lot of wear.

Below I've shown a fusing map for an unlined casual jacket with welt pockets. If you don't want the fusing showing for the pocket, substitute a layer of self/shell fabric instead. The welt itself can be fused because it won't show once it's made up. You can click on the illustration (<a href="http://fashion-incubator.com/wp-content/uploads/2012/12/fuse_map_unlined_jkt_lg.jpg" target="_blank">or here</a>) for a larger version of the image.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/fusing-map-unlined-jacket/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Fusing map: Sport coats and suits</title>
		<link>http://www.fashion-incubator.com/archive/fusing-map-sport-coats-and-suits/</link>
		<comments>http://www.fashion-incubator.com/archive/fusing-map-sport-coats-and-suits/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 01:40:15 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12274</guid>
		<description><![CDATA[<a href="http://fashion-incubator.com/wp-content/uploads/2012/12/fusemap_legend.jpg"><img class="alignright size-full wp-image-12276" title="fusemap_legend" src="http://fashion-incubator.com/wp-content/uploads/2012/12/fusemap_legend.jpg" alt="" width="334" height="224" /></a>Based on an antecedent post, it seems people are excited about this one. I can only hope it lives up to expectations.

But first, this is a side jaunt to a series of posts I wrote about sample costs (<a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs/" target="_blank">pt.1</a>, <a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-2/" target="_blank">pt.2</a> &#38; <a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-3/" target="_blank">pt.3</a>). By way of explaining the higher costs of cutting samples as compared to the design room or home workshop, I've made what I'm calling "fusing maps" for lack of a better description. It is the only way I can show you how much extra stuff we cut. I know fusible usage looks like more than you're used to so you wonder if you really need it. All I can say is that manufacturers are keen to shave costs wherever possible so if it were possible to eliminate it, they'd do it.

Without further ado, below are shown fusible placements on the typical sportcoat or suit coat. It also goes for coats too. For this to make sense, make note of the at top right. Shell or the self piece is grey. The fusible is pink. Other than that, this is self explanatory.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/fusing-map-sport-coats-and-suits/feed/</wfw:commentRss>
		<slash:comments>27</slash:comments>
		</item>
		<item>
		<title>Sample cutting and sewing costs pt.3</title>
		<link>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-3/</link>
		<comments>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-3/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 01:17:00 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Designers must know]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12263</guid>
		<description><![CDATA[Following up from <a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs/" target="_blank">part one</a> and then <a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-2" target="_blank">part two</a>,

Switching gears, I intended to explain two other reasons why sample cutting can cost more than one would hope.
<ol>
	<li>We cut more pieces than one would in many sample or design rooms, and</li>
	<li>it depends on the provider's infrastructure.</li>
</ol>
A. <strong>RTW products have more guts</strong>. One easy example is fusibles and or sew in canvas. In the average design studio (or even home sewing), these aren't used to the same extent. For example, it is rare for one to cut fusibles for a zipper inset area but this is done routinely in better RTW. We also fuse hems, fold lines and make chest pads, stays and what have you. To give you a better example of what I mean, I created what I'm calling a <a href="http://fashion-incubator.com/archive/fusing-map-sport-coats-and-suits/" target="_blank">Fuse Map for a sportcoat</a> which should be self explanatory.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-3/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Sample cutting and sewing costs pt.2</title>
		<link>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-2/</link>
		<comments>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-2/#comments</comments>
		<pubDate>Thu, 06 Dec 2012 22:55:40 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Designers must know]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12254</guid>
		<description><![CDATA[Following up from <a href="http://fashion-incubator.com/archive/sample-cutting-and-sewing-costs/" target="_blank">yesterday's entry</a>, I made several markers (see <a href="http://fashion-incubator.com/archive/what-is-a-marker/" target="_blank">What is a marker?</a> if you have no idea what they are) to compare efficiency for double and single folded lays. For both lays I used the same fabric width of 58". The single ply area was of course, 58", while the double ply layout was based on a 29" width.

The double folded lay came out like so:
<a href="http://fashion-incubator.com/wp-content/uploads/2012/12/marker_foldlayer_lg.jpg"><img class="alignnone size-full wp-image-12255" title="marker_foldlayer_sm" src="http://fashion-incubator.com/wp-content/uploads/2012/12/marker_foldlayer_sm.jpg" alt="" width="633" height="325" /></a>]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs-pt-2/feed/</wfw:commentRss>
		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>Sample cutting and sewing costs</title>
		<link>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs/</link>
		<comments>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs/#comments</comments>
		<pubDate>Thu, 06 Dec 2012 01:52:56 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Designers must know]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=12248</guid>
		<description><![CDATA[From my mail, Ann writes:
<blockquote><em>I recently started using a professional pattern and sample service and the cost seems a little high to me. Was I out of line to request an itemize list of expenses? For one of my jackets (I had 3), the cutting was listed at 4 hours. That seems like a lot to me. The sewing was another 3 hours. Does that sound right? They are charging me $35 an hour so my sample cost is about $250. The reason I'm asking is because it didn't take me this long to cut out this jacket when I made the practice garment.</em></blockquote>
For clarification, I asked Ann for more details about her jacket. It is a fully lined, knee length, double breasted pea coat. If the job was done well, $245 seems like a fair price. Here is how costs break down:

Typically, a lined coat pattern can take 8 hours to draft (the drafting costs weren't mentioned). It is typical for cutting to take half that time and then sewing, if you have someone very experienced at it, can take two to three or maybe even 4 hours depending on the level of finishing (hand stitching, pressing) required.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/sample-cutting-and-sewing-costs/feed/</wfw:commentRss>
		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>How a contractor picks jobs</title>
		<link>http://www.fashion-incubator.com/archive/how-a-contractor-picks-jobs/</link>
		<comments>http://www.fashion-incubator.com/archive/how-a-contractor-picks-jobs/#comments</comments>
		<pubDate>Tue, 02 Oct 2012 23:58:51 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Designers must know]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=11869</guid>
		<description><![CDATA[[Not just how a sewing contractor would pick your sewing job, any service provider. Stating such would make the title too long.]

As we were; here are some criteria a service provider would use to determine whether they want your business. Your job will be assessed -on the fly, most won't open a spreadsheet to analyze it- and sorted into three broad categories based on your description*:
<ol>
	<li>The requirements of your job are fairly typical or routine and we do it all of the time. We'll take the job if our schedule meshes with your deadlines and you seem to have costs and the means to pay for it figured out.</li>
	<li>The job and time frame isn't well defined; it seems like a fishing expedition with no set criteria. One could conclude you're using the bid process to educate yourself or you're hoping to use our bid to leverage against another provider's offer.</li>
	<li>Your job straddles the line of what we usually do and work that takes us in a direction we'd like to be moving but aren't sure we can handle it -or you. More thought is needed to assess our risks and involvement.</li>
</ol>
*Obviously a description is necessary. If you write someone to say "I’m in need of a prototype for a apparel line I’m setting up.  Can you assist with this?" you're automatically stuck into the second category and you probably won't get a response. Here is <a href="http://fashion-incubator.com/archive/5-questions-every-designer-must-answer-revisited/" target="_blank">a reminder on what to say</a>.]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/how-a-contractor-picks-jobs/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Why production doesn&#8217;t look like the sample</title>
		<link>http://www.fashion-incubator.com/archive/why-production-doesnt-look-like-the-sample/</link>
		<comments>http://www.fashion-incubator.com/archive/why-production-doesnt-look-like-the-sample/#comments</comments>
		<pubDate>Sat, 04 Aug 2012 01:03:39 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Patterns]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://fashion-incubator.com/?p=11652</guid>
		<description><![CDATA[There is a dance twixt sample making and pattern making -as evidenced by samples being immaculate but the production results don't match the sample even though both were made using the same patterns. This is why it is best to have continuity of service but since that isn't always possible, there should be good communication between the two parties.

Example: I have a lovely coat sample with bias cut matching trim along the coat edges, pieced in such fashion to show it off -quite lovely really. Likewise, the plaid matches through the body of the coat. [The plaid going across the sleeve doesn't match the body -that's impossible to ask of a sample maker <a href="http://www.fashion-incubator.com/archive/sleeve_cap_ease_is_bogus/" target="_blank">if the sleeve pattern has ease</a>- which is why I have the project*.] Now, a high dollar sample house will sew up a lovely sample for you, cutting match points divined on the fly -but that's not the result you'll get in production.

A less than optimal result is not because production is comprised of sloppy and uncaring cutters and stitchers but because]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/why-production-doesnt-look-like-the-sample/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>3 reasons you should pay for samples</title>
		<link>http://www.fashion-incubator.com/archive/3-reasons-you-should-pay-for-samples/</link>
		<comments>http://www.fashion-incubator.com/archive/3-reasons-you-should-pay-for-samples/#comments</comments>
		<pubDate>Tue, 12 Jun 2012 23:14:40 +0000</pubDate>
		<dc:creator>Kathleen Fasanella</dc:creator>
				<category><![CDATA[Contractors]]></category>
		<category><![CDATA[Production]]></category>

		<guid isPermaLink="false">http://www.fashion-incubator.com/?p=11408</guid>
		<description><![CDATA[Inspired by <a href="http://www.linkedin.com/groupAnswers?viewQuestionAndAnswers=&#38;discussionID=118052977&#38;gid=136791" target="_blank">a LinkedIn discussion</a> on this subject, I thought it would be good to talk about it here. The question was (paraphrased and edited slightly):

<blockquote><em>If a contractor approaches you with a production proposal, is it okay that the contractor charges for the initial sample? How about if they say that if you place an  order, they will refund the cost? Shouldn't this be a cost of doing business? What are your thoughts?</em></blockquote>

With over 100 comments (although some are spam, typical of LI), this has been controversial to say the least. I think the better question is: if you approach a contractor with the idea of doing business with them, should you pay for the initial sample? The reason I think my question is better is because it is basically the same thing. The issue of who made the approach is immaterial once you sift through the pros and cons.

Even though there are tiny operations out there that only exist to generate revenue making crappy samples, I think you should pay. Not that you should pay the former, that's what due diligence -and escrow- is about. You should pay for these reasons:]]></description>
		<wfw:commentRss>http://www.fashion-incubator.com/archive/3-reasons-you-should-pay-for-samples/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Solving sewing problems by testing your machines</title>
		<link>http://www.fashion-incubator.com/archive/solving-sewing-problems-by-testing-your-machines/</link>
		<comments>http://www.fashion-incubator.com/archive/solving-sewing-problems-by-testing-your-machines/#comments</comments>
		<pubDate>Thu, 17 May 2012 16:42:27 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Production]]></category>
		<category><![CDATA[Sewing]]></category>

		<guid isPermaLink="false">http://www.fashion-incubator.com/?p=11273</guid>
		<description><![CDATA[A seating manufacturer who recently added sewn cushions to his  product line had a vexing problem. The stitcher kept stapling pieces  together prior to stitching and she was very slow. She stapled because  she could not pin -the material is vinyl. The consensus in the shop was  that she did it because she had never sewn in a factory and wasn't  comfortable with industrial equipment. The customer wanted me to work  with her to reduce pre-work and hopefully pass along a few tips since I  have extensive experience working with heavier materials.

Otherwise motivated people (as this lady is) aren't stupid and they aren't crazy. If they're pinning, it's for a reason. The first step is to figure out  why they are doing it, fix that thing and then they stop having to correct for an  upstream problem. As I've <a href="http://www.fashion-incubator.com/archive/how-to-sew-faster-pt2/" target="_blank">explained before</a>, the way you troubleshoot in an organized way is according to the 4 M's -Man, Method, Machine and Materials.

The first thing I analyzed was <strong>Man</strong>. The operator was  pleasant and motivated with appropriate skills for  the  task (she had several industrial machines at home). She was  -frankly, this is a rarity- very happy the company had hired someone to give  her pointers.]]></description>
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		<slash:comments>22</slash:comments>
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