1. First we have a clavicle bump. Yay.
2. The bust is a more rounded normal shape (I'll provide a comparison further down so you can appreciate the difference). The underside of the bust is fuller instead of coming to an abrupt 50's style bullet bra apex as is typical of other forms.
3. The sternum between the breasts is taped for clear delineation, aiding in customary underwire placement.
4. The bust is shaped with a princess line down the center and a dart off to either side.
5. As with other forms, the cover is hand sewn along the side seam -but this one is much flatter. No more unsightly ridges. Can't speak for you but I find those ridges somewhat annoying.
6. The form has a belly button; invaluable for aligning lower slung waistbands or crop tops. She also has a pronounced belly like real people do with a noticeable depression below just before the normal bifurcation.
7. The outer front thighs are curved outward, again, just like real people. At the same time, the back side of the thigh is curved inward.

When the NYDI hired Lambert, she swiftly and shrewdly suggested that the campaign be based on designers, not manufacturers. At that time, manufacturers, and not the designers who worked under them, were the face of apparel companies. Lambert knew she could create a cult of personality around these designers, much like the excitement that had surrounded their Parisian counterparts.